{"id":3305,"date":"2017-03-03T11:35:04","date_gmt":"2017-03-03T19:35:04","guid":{"rendered":"http:\/\/blogs.reed.edu\/ed-tech\/?p=3305"},"modified":"2017-03-07T11:55:38","modified_gmt":"2017-03-07T19:55:38","slug":"reedies-experimental-music-project-a-new-music-collective-on-campus","status":"publish","type":"post","link":"https:\/\/blogs.reed.edu\/ed-tech\/2017\/03\/reedies-experimental-music-project-a-new-music-collective-on-campus\/","title":{"rendered":"Reedies&#8217; Experimental Music Project: a new music collective on campus?"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Recently I&#8217;ve had the privilege and pleasure of working with our visiting composition professor Yuan Chen-Li and her MUS 314 composition class. Over the last six weeks I have conducted workshops with them at the PARC covering topics ranging from live audio capture (using the PARC&#8217;s mobile recording hardware and software) to electronic music composition using software synths (soft synths).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The class is using our set of special project iPads for their works this term, which I configured with the requested apps. As per professor Chen-Li&#8217;s assignment, the students are capturing live sounds. The students have leaned towards what she calls <\/span><i><span style=\"font-weight: 400;\">undifferentiated sounds<\/span><\/i><span style=\"font-weight: 400;\"> &#8212; such as running water, microwaves, and chalk on a board &#8212; which the students then process and manipulate with the iPad using <\/span><a href=\"http:\/\/www.apple.com\/ios\/garageband\/\"><span style=\"font-weight: 400;\">iOS GarageBand<\/span><\/a><span style=\"font-weight: 400;\"> or on a computer using <\/span><a href=\"http:\/\/www.audacityteam.org\/\"><span style=\"font-weight: 400;\">Audacity<\/span><\/a><span style=\"font-weight: 400;\"> or <\/span><a href=\"http:\/\/logic%20pro\/\"><span style=\"font-weight: 400;\">Logic Pro<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">The students are creating electronic compositions on the iPads with the captured sounds, while using the soft synth apps <\/span><a href=\"https:\/\/itunes.apple.com\/us\/app\/stria\/id625740515?mt=8\"><span style=\"font-weight: 400;\">Stria<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/itunes.apple.com\/us\/app\/impaktor-the-drum-synthesizer\/id557824278?mt=8\"><span style=\"font-weight: 400;\">Impaktor<\/span><\/a><span style=\"font-weight: 400;\">. Stria is a synthesizer app based upon the composition &#8220;Stria&#8221; by the FM synthesis pioneer and composer <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/John_Chowning\"><span style=\"font-weight: 400;\">John Chowning<\/span><\/a><span style=\"font-weight: 400;\">. (Here is an interesting <\/span><a href=\"http:\/\/www.dei.unipd.it\/~menego\/CIM2003_Meneghini.pdf\"><span style=\"font-weight: 400;\">analysis and the theory<\/span><\/a><span style=\"font-weight: 400;\"> behind the creation of the piece Stria by Mr. Chowning, from which the app got its name and conceptual focus, and here is John Chowning speaking about his <\/span><a href=\"https:\/\/youtu.be\/w4g92vX1YF4\"><span style=\"font-weight: 400;\">discovery of FM synthesis<\/span><\/a><span style=\"font-weight: 400;\">.) You can hear a reduced version of the work Stria <\/span><a href=\"https:\/\/youtu.be\/988jPjs1gao\"><span style=\"font-weight: 400;\">here<\/span><\/a><span style=\"font-weight: 400;\">. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Stria app is a robust synthesizer which uses multiple overlapping virtual oscillators (which is how Mr. Chowning discovered and created FM synthesis). &nbsp;Through applying FM, subtractive, additive and granular synthesis to the oscillating sounds, and changing parameters such as the sound&#8217;s rate, spread of its frequencies and applying envelopes, new sounds are created. &nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Impaktor takes a sonic impulse (percussive sounds played on tables, or any object, even the voice) and applies its powerful synthesizer models. New sounds are created by changing the synth parameters and the different synth types: membrane (simulates a vibrating membrane suspended on a hollow body), Resonator (simulates metal plates), Sine, Vocoder and FM by applying them to the impulse. While Impaktor is a percussive app by definition, longer and more sustained sounds are also able to be generated by manipulating the initial impulse sound within the app. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The soft synths are all routed into a DAW (digital audio workstation). For these projects, I had the students&nbsp;use iOSGarageBand, since the newest version (2.2) is very robust and includes 32-track multi-tracking, the ability to share projects back and forth and back again via iCloud with Logic Pro, and the ability to record multiple takes onto a single track. (Previously the ability to record multiple takes onto a single track only existed in Logic.) As the iPads are highly mobile they were well suited for this assignment. Additionally, we used&nbsp;<\/span><a href=\"https:\/\/audiob.us\/\"><span style=\"font-weight: 400;\">AudioBus <\/span><\/a><span style=\"font-weight: 400;\">, an internal signal flow routing app, which links together various third party apps so the apps&nbsp;can connect and &#8220;speak&#8221; to each other. For example, through AudioBus a sound from one app can be recorded into another. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The presentation of these works will be on Wednesday March 8th, from 7:30-8:30pm &nbsp;in the student union. Come and see the premier of this collective, which is hopefully the beginning of an ongoing effort &#8212; &nbsp;the Reedies&#8217; Experimental Music Project!<\/span><\/p>\n<p><a href=\"https:\/\/blogs.reed.edu\/ed-tech\/files\/2017\/03\/Reed-Experimental-Project-Poster-Update.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3306\" src=\"https:\/\/blogs.reed.edu\/ed-tech\/files\/2017\/03\/Reed-Experimental-Project-Poster-Update-663x1024.png\" alt=\"reed-experimental-project-poster-update\" width=\"640\" height=\"988\" srcset=\"https:\/\/blogs.reed.edu\/ed-tech\/files\/2017\/03\/Reed-Experimental-Project-Poster-Update-663x1024.png 663w, https:\/\/blogs.reed.edu\/ed-tech\/files\/2017\/03\/Reed-Experimental-Project-Poster-Update-194x300.png 194w, https:\/\/blogs.reed.edu\/ed-tech\/files\/2017\/03\/Reed-Experimental-Project-Poster-Update-768x1187.png 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recently I&#8217;ve had the privilege and pleasure of working with our visiting composition professor Yuan Chen-Li and her MUS 314 composition class. Over the last six weeks I have conducted workshops with them at the PARC covering topics ranging from live audio capture (using the PARC&#8217;s mobile recording hardware and software) to electronic music composition &hellip; <a href=\"https:\/\/blogs.reed.edu\/ed-tech\/2017\/03\/reedies-experimental-music-project-a-new-music-collective-on-campus\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Reedies&#8217; Experimental Music Project: a new music collective on campus?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":514,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,26],"tags":[],"class_list":["post-3305","post","type-post","status-publish","format-standard","hentry","category-news-and-announcements","category-performing-arts"],"_links":{"self":[{"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/posts\/3305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/users\/514"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/comments?post=3305"}],"version-history":[{"count":21,"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/posts\/3305\/revisions"}],"predecessor-version":[{"id":3328,"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/posts\/3305\/revisions\/3328"}],"wp:attachment":[{"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/media?parent=3305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/categories?post=3305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.reed.edu\/ed-tech\/wp-json\/wp\/v2\/tags?post=3305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}