Closes 3/28/2025 This is a sizable e-reference site from Routledge Resources Online. It features specially-commissioned, peer-reviewed content that supports the teaching and learning of this historical time period. Covering the 14th to the 18th century, its key subject areas include Art and Architecture, Economy and Commerce, Environment, Literature and Drama, Politics and Governance, Religion, and Society.
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Alternative Press Index America: History and Life American Antiquarian Society Historical Periodicals Anthropology Plus Art & Architecture Source Art Index Retrospective ATLA Religion Avery Index to Architectural Periodicals Bibliography of Asian Studies Bibliography of Indigenous Peoples in North America Communication Source EconLit Film and Television Literature Index with Full Text Historical Abstracts Humanities and Social Sciences Index Retrospective Humanities International Complete International Bibliography of Theatre & Dance MathSciNet via EBSCO MLA International Bibliography New Testament / Old Testament Abstracts Philosopher’s Index PsycArticles PsycINFO Readers’ Guide Retrospective RILM Abstracts of Music Literature with Full Text RIPM: Retrospective Index to Music Periodicals Social Sciences Abstracts
With the approach of All Hallows’ Eve, consider one of the many fine films in the horror genre to copilot your quasi-satanic celebration. Make it movie-size fun by checking out a projector, speakers, and screen from the IMC! These films include some pretty graphic depictions of violence. See IMDB descriptions and associated keywords for possible trigger warnings. For a complete list of horror films by title click here. Looking for a spooky soundtrack to complete your haunted house? Checkout out these compilations curated by none other than The Academy Theater’s “Door Man” (’14). Blooding Drool Side A Blooding Drool Side B
Nosferatu, a Symphony of Horror – PN1995.9.H67 N684 2009 DVD The original Dracula movie from famed silent film director F.W. Murnau, starring Max Schreck as Count Orlock, is considered the first critically acclaimed horror feature film. Nosferatu premiered in 1922 with different names for the main characters, as the studio did not acquire copyright clearance of the screenplay from the Stoker estate. The real horror came from the ensuing lawsuit for copyright infringement, which they won – with a court order to destroy all copies of the film. Luckily, one copy survived and begat many copies which continue to play among the canon of great films.
Psycho – PN1995.9.H6 P8935 2000 DVD A man, a mother, a motel, and a maiden in distress, culminating in a most unfortunate shower scene. Hitchcock originally envisioned the scene in complete silence. Composer Bernard Herrman went ahead and scored it anyway.
The Shining – PN1995.9.H6 S565 2007 DVD Stanley Kubrick directs this Christmas classic with jolly old Jack Nicholson, Shelley Duvall, and a supporting cast of fun-loving kids (the twins are adorable). As caretakers for a lodge, the Torrance family gets snowed in, making the best of it with games of make-believe, indoor tricycling, and high-stakes hide and seek. Scatman Crothers provides comic relief. Red rum for all!
Halloween – PN1995.9.H6 H3556 2003 DVD The most common reported nightmare is being chased by the monster that can’t be killed. You can thank John Carpenter for that. You can also thank him for reestablishing theme music as part of the horror film aesthetic. In a reverential nod to Hitchcock and Psycho, Carpenter cast Janet Leigh’s daughter, Jamie Lee Curtis, in the lead role. And while you’re in the mood, check out the 13 sequels. It seems Halloween is also the movie franchise that can’t be killed.
Friday the 13th – PN1995.9.H6 F76 2011 DVDThis quintessential summer-camp-blood-bath kicked off the 80s vintage of slasher films, which raised the stakes in terms of creative extermination and iconic supernatural serial killers. It also turned the retro hockey goalie mask into an instant Halloween costume. Interestingly, the franchise’s most iconic symbol doesn’t show up until part III. And the franchise’s iconic killer makes only a brief appearance at the end of part I.
Nightmare on Elm Street – PN1997.A1 N54 2010 DVDThe next series of iconic 80s slasher films was launched by Wes Craven in 1984, starring the gruesome Freddy Krueger, a burn victim with a penchant for haunting teenagers’ dreams with his razor sharp protrusions and wit. The film masterfully blurs the line between dream and reality, viscerally escorting the audience into exhaustive contemplation over which realm they are experiencing, The sequels devolve into laughable caricatures of themselves, including a crossover with Friday the 13th – but the original film remains a pillar of the horror genre.
Carrie – PN1997 .C367 1976 DVDBrian De Palma directed the first Stephen King film adaptation to devastating effect. Carrie White is a painfully shy high school senior, who is mercilessly teased by fellow classmates. Life at home isn’t any better with her religiously domineering mother. When an elaborate prank to humiliate Carrie reaches its climax, she unleashes her telekentic rage to the audience’s horror and vengeful satisfaction. On her way home, she kills John Tavolta.
Rosemary’s Baby – PS3523.E7993 R672 2000 DVD A young couple with family plans moves into the ornate Bramford – a building with a rather unpleasant reputation and some odd neighbors. When the mother to be (an outstanding Mia Farrow) becomes pregnant, she finds herself increasingly isolated by those around her, who seem to have mysterious ulterior motives. Roman Polanski’s film then gave birth to the demon-child genre as it was followed soon after by The Exorcist, The Other, and The Omen.
The Exorcist – PS3552.L392 E962 1998 DVD Undisputed champion of demon-child films, The Exorcist, raised the bar on shock horror. When a young girl becomes possessed by the devil, a priest and his apprentice commence exorcising. Head turning gore ensues. Nominated for 10 Academy Awards.
Jaws – PN1995.9.H67 J398 2005 DVD Selachophobia: the fear of sharks. If you don’t have that phobia, you will. Surfing in the US was down 20% following the release of this movie. Although Speilberg pulled out all the stops to manifest the iconic killer fish, it’s John Williams’ character theme that evokes real horror.
Poltergeist – PN1995.9.H6 P658 2007 DVD Some of the visual effects haven’t held up over time but the plot and performance make this one of the scariest movies ever. Haunted house – check. Desecrated Native burial ground – check. Creepy kid that talks to spirits – that too. All the clichés are in place and played out to perfection. But the scariest thing about this movie… the tragic, real-life death of the young actors after the movie’s release.
Alien – PN1997 .A456 2003 DVD Conversely, Ridley Scott’s Alien, made in 1979, has held up quite well in terms of special effects – everything from the sets to the emergence of the little creature itself (chronicled in this test audience reaction). The crew of a commercial space vessel returning to earth answers a mysterious distress call, only to find several egg-like objects, which should probably have been left alone. This movie launched modern horror sci-fi and several sequels of varying quality.
An American Werewolf in London – PN 1995.9.H6 A54 2009 DVD Comedy writer/director John Landis (Animal House) wrote and directed this bizarre movie that is equal parts comedy and horror. Two friends backpacking across London are attacked by a werewolf, resulting in one animated corpse and one werewolf. Surprisingly good special effects – for 1981.
The Blair Witch Project – PN1997 .B535 1999 DVD True story about three film students who venture into the forests of Maryland in search of evidence of local folk legend “The Blair Witch” never to return. A year later, their film footage was found and turned into a documentary.
The Babadook –PN1995.9.H6 B333 2015 DVD If it’s in a word or it’s in a look You can’t get rid of The Babadook If you really are a clever one and you know what it is to see Then you can make friends with a special one A friend to you and me His name is Mister Babadook And this is his book… I’ll soon take off my funny disguise and once you see what’s underneath Take heed of what you’ve read You’re going to wish you were dead
Get Out – PN1997.2 .G48 2017 DVD Jordan Peele’s directorial debut won him the oscar for best original screenplay. When a young couple decides it’s time for a meet-the-parents weekend, the boyfriend notices some rather odd racially-charged interactions with the parents and their friends. And some even stranger behavior from the working staff.
Us – PN1997.2 .U7 2019 DVD Jordan Peele ratchets up the horror in his follow up “Us”. Adelaide is haunted by a traumatic event from her youth. Those feelings begin to reemerge on a vacation 30 years later. When the family returns from a day at the beach, they are visited that evening by a gang of dopplegangers who want to kill them. “Who are you?” Adelaide asks… “We are Americans!” Amazing double performances by Lupita Nyong’o and family.
Candyman – PN1995.9.H6 .C36 2020 DVDA graduate student researching urban legends goes to Chicago’s Cabrini Green housing project in search of information on the legend of Candyman. Skeptical of the myth, she tempts fate by saying his name 5 times in front of a mirror – and we’re off. The movie does an effective job intertwining the fear of urban legend with the societal fears of urban reality. Fast forward 30 years later – Nia DaCosta and Jordan Peele recently teamed up as director/writer for the 2021 edition, which revisits the now gentrified neighborhood, exploring the same macabre folklore.
La llorona – PN1995.9.S7 I46 2022 DVD This Guatemalan movie based on a local legend (also well known in the US and Mexico) would be an effective supernatural horror movie without its well executed commentary on the history of Guatemala in the late 20th century, particularly the genocide perpetrated by the government against indigenous peoples in the 1980s. As it stands, it’s a slow moving masterpiece of particular interest to those looking for something on the artier end of the horror spectrum.
Cronos – PN1995.9.S7 C765 2003 DVD Guillermo Del Toro’s first feature film (1993) – An aging antique dealer, Jesus Gris, happens upon an elegant mechanized scarab. When opened, it stabs whomever is holding it, but the wound brings youthful vigor and a vampire’s need for blood. When the movie went over the allotted $1.5 million budget, Del Toro took out a series of personal loans to get the final $500K to finish the film.
El orfanato – PN1995.9.S6 O7435 2008 DVD From the Reed catalog – “A woman purchases the orphanage she spent her own childhood in, hoping to restore and reopen the long abandoned facility as both a home for herself and her husband and son, and a school for disabled children. However, her son’s imagination seems to run wild in their new home, as he becomes increasingly involved with a group of seemingly imaginary friends.”
It – PN1997.2.I8 2017 DVD Wikipedia serves up the introduction to this movie properly – “In October 1988, Bill Denbrough gives his seven-year-old brother, Georgie, a paper sailboat. Georgie sails the boat along the rainy streets of small town Derry, and is disappointed when it falls down a storm drain. As he attempts to retrieve it, Georgie sees a clown in the sewer, who introduces himself as Pennywise the Dancing Clown. The clown entices Georgie to come closer, then severs his arm and drags him into the sewer.” Stephen King horror ensues.
It Follows – PN1995.9.H6 I82 2015 DVD Having nothing to do with the above… After a sexual encounter, 19 year-old Jay is haunted by visions of inescapable horror. As visions become reality, her friends desperately try to save her from the curse that follows. Debates about the movie’s message range from AIDS allegory to the aftermath of sexual assault.
Audition – PN1995.9.H6 O35 2009 DVD One of the best in contemporary Japanese shock horror… A widowed film producer seeks a new wife at the urging of his son. He holds an audition for an imaginary film, during which he is smitten by a beautiful actress/former ballet dancer fallen on hard times. In the end, it was the actress auditioning her next victim.
Let the Right One in – PN1997.2 .L48 2009 DVD Swedish vampire movie, adapted from John Ajvide Lindqvist’s Swedish bestseller, about a girl who has been 12 years-old for a long time. The best of the bunch in contemporary vampire film.
Interview with the Vampire – PN1995.9.V3 I58 2009 DVDDip into decadence with this gothic horror, based on the 1976 novel written by Anne Rice, centering around a centuries old vampire spilling all the secrets of how he came to being a creature of the night – the relationship complexities of the sire who turned him, the debauched fringes of society his kind saturate, and the painful recollection of those he doomed, in particular, the feeding on and subsequent turning of a young child in the darkest of plague ravaged times. A gorgeously shot film and a mesmerizing glimpse into the melancholy of a cursed man living lifetime after lifetime in sadness and understanding that immortality is not a gift. Also, this movie features Tom Cruise and Brad Pitt who in the 90s were a mash of biggest movie star meets even bigger movie star…so there’s that.
Little Shop of Horrors – PN1995.9.H6 L58854 2006 DVD“Feed me, Seymour!” A magical 80s comedy/horror musical that has an unassuming florist finding a renewed vigor to his life and a chance at romance all thanks to the help of a plant, a gigantic literal man-eating plant who demands to be fed. This movie is a totally entertaining romp from start to finish, complete with catchy song & dance, exotic plants, and murder. Rick Moranis as a shoulder-slumped shop worker is perfection but it’s truly Steve Martin’s performance as a sadistic dentist that steals the show.
The Stepford Wives – PN1997 .S746 2004 DVDBased on the 1972 novel written by Ira Levin, who was also responsible for penning Rosemary’s Baby, this tale centers around a woman who moves to the idyllic suburb of Stepford, Connecticut. There she encounters a disturbing amount of cookie cutter wives whose primary goal in life is to please their husbands. She begins to suspect that perhaps there is something sinister going on in the town and that these women have all been programmed against their will. At its core, it is social commentary of the times on women’s rights and the desire for men to retain control, keep up unrealistic appearances, and have subservient robotic housewives at their beck and call. Not exactly the thrills and chills of Halloween horror, but plenty of legitimate reasons to be frightened. The paranoia builds quite tightly throughout this film and the ending leading to a satisfying slow burn. Definitely worth a watch as the fashion alone is reason enough to stay glued to the screen. You will never look at what you wear to go grocery shopping in the same way again.
Eraserhead – PN1997 .E735 2005 DVD David Lynch’s first feature film was not all that well received. From Variety – “Set, apparently, in some undefined apocalyptic future era, Eraserhead consists mostly of a man sitting in a room trying to figure out what to do with his horribly mutated child. Lynch keeps throwing in graphic close-ups of the piteous creature, and pulls out all gory stops in the unwatchable climax.”
A Quiet Place – PN1997.2.Q54 DVD Alien monsters with supersonic auditory senses seek to annihilate the human race, forcing the few survivors into a life of silence. Despite some obvious major plot holes in this premise, the tension and dynamic audio range capture something unique in contemporary horror.
The Blob – PN1995.9.S26 B5 2000 DVD A small town is menaced by a mass of protoplasm from outer space, which turns blood-red and grows larger as it consumes residents. The film was Steve McQueen’s debut leading role. See it for the creative silicone-laden special effects and for the hilarity of 30-year-olds playing bad teens.
Suspiria – PN1995.9.I8 S872 2007 DVD Here’s a clip from the IMDB plot synopsis. “While alone in the bathroom, she becomes transfixed by a pair of shining eyes outside the window, and a decidedly inhuman arm smashes through the glass, grabbing her. She is pulled out of the window onto the roof, stabbed numerous times, and then hanged by a cord when she falls through the skylight. The huge pieces of glass and metal that break out of the skylight fall on Pat’s friend, killing her by impaling her body and her head in numerous places.” Enough said.
Tigers Are Not Afraid – PN1995.9.S7.T24 2020 DVD From IMDB – “Estrella is 10 years old and has 3 wishes: The first one, that her missing mother comes back and it happens. Her mother returns but she is dead and follows Estrella everywhere. Petrified, Estrella tries to escape from her by joining a gang orphaned by violence. Soon she realizes that dead are never left behind and when you are in the middle of brutality and violence, wishes never come true the way you want them to be. “
El libro de piedra – PN1997.L3576 2009 DVD – From Wikipedia – “Julia is hired to be the governess of a young girl, Sylvia who has an emotionally distant father, Eugenio, and a new stepmother, Mariana. Sylvia insists that she plays with a little boy named Hugo – whom the adults all see is a stone statue in the courtyard. When strange things begin to happen, the adults begin to wonder if Hugo may be more than just an imaginary playmate.
Les Yeux sans Visage – PN1995.9.F67 Y94 2004 DVD from the Reed catalog – “A plastic surgeon, holed up in a Paris mansion, is obsessively slicing off the faces of kidnapped women and grafting the flayed skin onto the rotting countenance of his beloved young daughter, disfigured in an automobile accident.”
Thriller – youtube If you’re hosting a Halloween dance party, you gotta kick it off with Michael Jackson’s classic zombie funkfest.
Texas Chainsaw Massacre – PN1995.9.H6 T49 2006 DVD Multiple Regression Results for Predication of Overall Fright Neuendorf, K. A., & Sparks, G. G. (1988). Predicting Emotional Responses to Horror Films from Cue-Specific Affect. Communication Quarterly, 36(1), 16-27.
As of October 9, we have started a trial of Rock’s Backpages. The trial will end on November 15.
Under the tagline “the archive of music journalism,” this resource gathers music publication interviews and reviews from 1960 to the present.
Anyone can register to read a selection of over 500 free articles, but during this trial we get full access to all articles, all audio interviews, and the RBP podcast. According to the website, they add at least 50 articles per week.
Our fundamental question when trying out a resource is: how will this support the learning, teaching, and research happening in the Reed community?
Whether you’re a student, faculty member, or staff member, we welcome your answer to this question! To share your thoughts, please complete our trial feedback form.
If you have questions about this trial, email library-er@reed.edu.
On August 1 of this year, the legacy Artstor website was retired. All Artstor images are available on JSTOR, and our subscription to that material continues uninterrupted.
When you search JSTOR, you will find Artstor’s 2 million licensed images and more than 1,700 additional primary source collections alongside the JSTOR ebooks and journals you already know and love. With the new Workspace tool, you can save and organize Artstor images alongside other JSTOR content in one convenient workflow.
If you previously used Artstor, you’re invited to get started on JSTOR now!
In anticipation of Earth Day celebrations on campus, hear from Visual Resources Assistant Andee Gude’26 about their President’s Summer Fellowship and the decision to add artist Josh Kline’s work to the Art & Architecture Collection in Reed Digital Collections (RDC).
This blog post was written by Visual Resources Assistant and Art History major Andee Gude ’26, and edited by the Library’s Visual Resources Curator Chloe Van Stralendorff.
In the summer of 2023, I embarked on a journey to New York to dive into as many art spaces as possible over two weeks. The exhibition “Project for a New American Century” at the Whitney Museum of American Arthad a lasting impression on me, more so than any other during my short visit.
Kline’s work explores critical issues such as climate change, politics, AI, capitalism, disease, labor, and technology. Much of his work was originally created in the early 2010s but remains deeply relevant to the societal challenges we face today. I’ll highlight two installations that especially resonated with me, but for those interested in exploring more, the exhibition, which concluded this summer at the Whitney, can be fully appreciated on their website, along with additional works by Kline on his website.
One impactful project was “Climate Change is Personal Responsibility (2023-),” set in a future ravaged by climate disasters. The installation is set in the future, following climate disasters, and features materials “used by refugees and migrants in the United States and around the world” (Whitney Museum of American Art). These shelters Kline created represent homes and workplaces for those who remain “essential workers” forced to face the impacts of climate change in the pursuit of labor and financial stability. Within this installation are two sets of videos, one being titled “Capture and Sequestration (2023)” which address “the enslavement of Africans and the theft of Indigenous land” concerning the assumed downfall of the land in light of the dramatic climate change (Whitney Museum of American Art). The videos highlight commodities like sugar, tobacco, cotton, and oil, and how “human-made global warming and climate change back through America’s global empire and the industrial revolutions of the nineteenth and twentieth centuries” will ultimately contribute to Kline’s perception of the future (Whitney Museum of American Art). The other videos fictionally survey Americans facing the disaster, informed by “extensive research into the experiences of survivors of climate-related disasters such as Hurricanes Katrina, Sandy, and Harvey and the recent wildfires in California” (Whitney Museum of American Art). In this project, Kline prompts his audience to consider this future.
Another project that captivated me was Blue Collars (2014–20), featuring sculptural portraits and video interviews with American workers from corporations like Walmart and Waffle House. Initiated in the wake of the 2008 Great Recession, the interviews include a diverse group of employees, from delivery personnel to hotel cleaners, represented through 3D printed sculptures and were interviewed about their “..their jobs, aspirations, political views, and feelings about the conditions of their lives in general” (Whitney Museum of American art). This project underscored Kline’s position that “work turns human bodies and human lives into products” (Whitney Museum of American Art).
One of our goals at the Visual Resources Center, is to add current exhibitions and artwork that resonates with student’s interests. Motivated by what I experienced at the Whitney, I initiated a collection development project for Reed’s Digital Collections (RDC) focused on Josh Kline’s work from the exhibition at the Whitney Museum of American Art. With the urgent conversations surrounding climate change, labor, AI, and capitalism, Kline’s work is a pertinent addition to Reed’s Digital Collections, especially as we approach Earth Day and reflect on our planet’s future.
Josh Kline: Project for a new american century. Whitney Museum of American Art. (n.d.-b). https://whitney.org/exhibitions/josh-kline#exhibition-feature
