Cool class you’ve taken at Reed: Last fall I took a 300 level English course on the literature of the Black Panther party, which changed my entire worldview. Pancho never repeats his classes, so email me if you want the syllabus!
Favorite Place to Work in the Library: North Reference. The old-school green desk lamps make me feel like Elle Woods during her Harvard days. An Elle Woods with endless table space. (Editor’s note: Legally Blonde is one of my favorite guilty pleasures!)
Reason you wanted to be a reference assistant: Reed has given me a lot, so I want to pay it forward! Also, being the bookworm that I am, the library is my home away from home.
Hardest thing about research: Narrowing down my list of sources! I always want to squeeze a nugget of information from every article I find into my papers.
Favorite thing about Reed: The small student body has allowed me to jump on an amazing array of opportunities, from working on multiple publications to interning with Reed alumni in different countries. To give a less cheesy answer, living in the Spanish House on campus has been the most rewarding and ridiculously fun experience of my Reed career.
Cool thing you did during break: My sister gifted me a collection of poems by Ada Limón over the holidays, and I raced through it (mistake! poems should be treated like a four-course meal, not a snack—don’t worry, I’m rereading it now). (Editor’s Note: Some of her poetry is available here. And the library has two of her collections: Lucky Wreck and Bright Dead Things.)
What’s old is new again! We are pleased to offer a trial of the American Antiquarian Society’s Historical Periodicals, a comprehensive primary source collection of more than 500 American periodicals between 1684 and 1912. The collection includes digitized images of the pages of magazines and journals not available from any other source and provides content detailing American history and culture. These specialized collections cover advertising, health, women’s issues, science, the history of slavery, industry and professions, religious issues, culture and the arts, and more. Explore and enjoy!
Our trial is available through March 1st. Please send questions and trial feedback to Erin Gallagher, Director of Collection Services.
Random numbers for the Senior thesis desk lottery will be drawn from the official 470 list. If you are a senior, but are not yet registered for 470, and want to be included in the drawing, please come to the circulation desk and have your name added to the lottery list by Monday, February 5. Biology, Chemistry, Physics, Studio Art, and Psychology, majors are not eligible for thesis desks in the Library.
The list of numbers will be posted Tuesday, February 6 along with a map of thesis desk locations so that you can have preferences in mind before the actual selection.
The choosing of desks will begin at noon on Wednesday, February 7 in the library lobby. You, or your proxy, must be present when your name is called. Lottery numbers are not transferable.
NOTE: Some desks, as indicated on the map, will be shared. In order to help create the most pleasant sharing arrangement possible, the person with the better number may bring in as a partner another senior on the list who has a less desirable number. Please make those arrangements before the noon time selection and let us know that is your plan when your name is called.
Each semester, Academic Support Services and Library staff host workshops for students on general study skills, research skills, quantitative skills, and senior thesis-writing. In an effort to make it easier for students to find out about upcoming workshops, the DoJo and the Library have created a combined workshop list.
Like any institution, Reed College has always been shaped by the individuals who care about it most. Founded out of Progressive Era ideals, Reed’s early years were fueled by a desire to reject the status quo of other institutions. This Reedie way of life, however, was not always interpreted in the same way. In the 1960s Reed was beginning to undergo an ideological schism between the Old Guard, Reed’s established faculty and administrators, and the Young Turks, the younger, often un-tenured faculty. This exhibit and corresponding website uses items from the college archives to give an overview of Reed’s identity crisis and the global issues which pitted the young thinkers against the status quo.
The exhibit runs from December 8th 2017- February 1st, 2018. Curated by Emily Jane Clark, Social Justice Exhibits and Research Intern.
This holiday season IMC feature comes with help from guest annotator Robin Tovey ’97. In addition to classics of the Christmas variety, the Reed College library has quite the collection of odds and ends, documenting the multifaceted holiday season. Some of these are musical selections, which are housed in the PARC (the branch library in the Performing Arts Building). If you notice any glaring omissions from this list, please email me your suggestions. Enjoy! Jim Holmes
We are pleased to offer a trial of Black Abolitionist Papers, a primary source collection that comprehensively details the extensive work of African Americans to abolish slavery in the United States prior to the Civil War. Covering the period 1830-1865, the collection presents the international impact of African American activism against slavery in the writings and publications of the activists themselves. The approximately 15,000 articles, documents, correspondence, proceedings, manuscripts, and literary works of almost 300 Black abolitionists show the full range of their activities in the United States, Canada, England, Scotland, Ireland, France and Germany.
We are also conducting a trial of the Black Studies Center, a cross-searchable gateway to Black Studies including scholarly essays, recent periodicals, historical newspaper articles, reference books, and much more.
Our trial is available through December 14th. Please send questions and trial feedback to Erin Gallagher, Director of Collection Services.
With the approach of All Hallows’ Eve, consider one of the many fine films in the horror genre to copilot your quasi-satanic celebration. Remember “video” in the call# means VHS – those scary looking tapes that your parents used to watch. Never fear – we have VHS players in the IMC (Lib32). And for your own horror-movie, haunted-house, film-fest, don’t forget to reserve a projector and screen from the IMC. Trigger warnings include gore, death, decapitation, dismemberment, disembowelment, impalement, defenestration, immolation, annihilation, skinning, scalping, sex and violence.