New Interface for EBSCOhost on January 7

New logo for EBSCOhost interface

On January 7, 2025, EBSCO will move all users to a new interface for the EBSCOhost platform.

The new interface is a significant improvement. It reduces visual clutter, improves accessibility, and adds more controls over search, filters, saving, and sharing. According to EBSCO, it has been expressly designed around student preferences, rather than those of faculty or library staff.

You do not need to have a personal account to read or download material or to use any of the search, citing, or sharing functions, but you can create a personal account if you want to save search results for later or organize your research into “projects” on that particular platform.

Useful Links

Introduction to the New EBSCOhost – Tutorial (~3 minutes, on Vimeo)
The New EBSCOhost Interface – Quick Start Guide

What is Affected?

Alternative Press Index
America: History and Life
American Antiquarian Society Historical Periodicals
Anthropology Plus
Art & Architecture Source
Art Index Retrospective
ATLA Religion
Avery Index to Architectural Periodicals
Bibliography of Asian Studies
Bibliography of Indigenous Peoples in North America
Communication Source
EconLit
Film and Television Literature Index with Full Text
Historical Abstracts
Humanities and Social Sciences Index Retrospective
Humanities International Complete
International Bibliography of Theatre & Dance
MathSciNet via EBSCO
MLA International Bibliography
New Testament / Old Testament Abstracts
Philosopher’s Index
PsycArticles
PsycINFO
Readers’ Guide Retrospective
RILM Abstracts of Music Literature with Full Text
RIPM: Retrospective Index to Music Periodicals
Social Sciences Abstracts

Rock’s Backpages Trial through 11/15/24

Logo of Rock's Backpages in the shape of a guitar pick

As of October 9, we have started a trial of Rock’s Backpages. The trial will end on November 15.

Under the tagline “the archive of music journalism,” this resource gathers music publication interviews and reviews from 1960 to the present.

Anyone can register to read a selection of over 500 free articles, but during this trial we get full access to all articles, all audio interviews, and the RBP podcast. According to the website, they add at least 50 articles per week.

Our fundamental question when trying out a resource is: how will this support the learning, teaching, and research happening in the Reed community?

Whether you’re a student, faculty member, or staff member, we welcome your answer to this question! To share your thoughts, please complete our trial feedback form.

If you have questions about this trial, email library-er@reed.edu.

Artstor Has Moved to JSTOR

A promotional image from JSTOR that says: Ready, set, redirect: Come August 1, 2024, Artstor URLs will automatically redirect to JSTOR. Next to the text is a black and white photo by Lee Friedlander.

On August 1 of this year, the legacy Artstor website was retired. All Artstor images are available on JSTOR, and our subscription to that material continues uninterrupted.

When you search JSTOR, you will find Artstor’s 2 million licensed images and more than 1,700 additional primary source collections alongside the JSTOR ebooks and journals you already know and love. With the new Workspace tool, you can save and organize Artstor images alongside other JSTOR content in one convenient workflow.

If you previously used Artstor, you’re invited to get started on JSTOR now!

Useful Links

Start here: Artstor on JSTOR Overview

Introduction to Workspace

LibGuide for working with images on JSTOR

Browse images on JSTOR

Image: Lee Friedlander. New York City. 1963, printed 2006. Saint Louis Art Museum.

Reflecting on Climate Change: Images of Josh Kline’s Artwork Added to RDC for Earth Day



In anticipation of Earth Day celebrations on campus, hear from Visual Resources Assistant Andee Gude ’26 about their President’s Summer Fellowship and the decision to add artist Josh Kline’s work to the Art & Architecture Collection in Reed Digital Collections (RDC). 

This blog post was written by Visual Resources Assistant and Art History major Andee Gude ’26, and edited by the Library’s Visual Resources Curator Chloe Van Stralendorff.


In the summer of 2023, I embarked on a journey to New York to dive into as many art spaces as possible over two weeks. The exhibition Project for a New American Centuryat the Whitney Museum of American Art had a lasting impression on me, more so than any other during my short visit. 

Kline’s work explores critical issues such as climate change, politics, AI, capitalism, disease, labor, and technology. Much of his work was originally created in the early 2010s but remains deeply relevant to the societal challenges we face today. I’ll highlight two installations that especially resonated with me, but for those interested in exploring more, the exhibition, which concluded this summer at the Whitney, can be fully appreciated on their website, along with additional works by Kline on his website.

One impactful project was “Climate Change is Personal Responsibility (2023-),” set in a future ravaged by climate disasters. The installation is set in the future, following climate disasters, and features materials “used by refugees and migrants in the United States and around the world” (Whitney Museum of American Art). These shelters Kline created represent homes and workplaces for those who remain “essential workers” forced to face the impacts of climate change in the pursuit of labor and financial stability. Within this installation are two sets of videos, one being titled “Capture and Sequestration (2023)” which address “the enslavement of Africans and the theft of Indigenous land” concerning the assumed downfall of the land in light of the dramatic climate change (Whitney Museum of American Art). The videos highlight commodities like sugar, tobacco, cotton, and oil, and how “human-made global warming and climate change back through America’s global empire and the industrial revolutions of the nineteenth and twentieth centuries” will ultimately contribute to Kline’s perception of the future (Whitney Museum of American Art). The other videos fictionally survey Americans facing the disaster, informed by “extensive research into the experiences of survivors of climate-related disasters such as Hurricanes Katrina, Sandy, and Harvey and the recent wildfires in California” (Whitney Museum of American Art). In this project, Kline prompts his audience to consider this future. 

Another project that captivated me was Blue Collars (2014–20), featuring sculptural portraits and video interviews with American workers from corporations like Walmart and Waffle House. Initiated in the wake of the 2008 Great Recession, the interviews include a diverse group of employees, from delivery personnel to hotel cleaners, represented through 3D printed sculptures and were interviewed about their “..their jobs, aspirations, political views, and feelings about the conditions of their lives in general” (Whitney Museum of American art). This project underscored Kline’s position that “work turns human bodies and human lives into products” (Whitney Museum of American Art).

One of our goals at the Visual Resources Center, is to add current exhibitions and artwork that resonates with student’s interests. Motivated by what I experienced at the Whitney, I initiated a collection development project for Reed’s Digital Collections (RDC) focused on Josh Kline’s work from the exhibition at the Whitney Museum of American Art. With the urgent conversations surrounding climate change, labor, AI, and capitalism, Kline’s work is a pertinent addition to Reed’s Digital Collections, especially as we approach Earth Day and reflect on our planet’s future.


Work Cited

  1. Josh Kline. Josh Kline | home. (n.d.). http://joshkline.info/ 
  2. Josh Kline: Project for a new american century. Whitney Museum of American Art. (n.d.-b). https://whitney.org/exhibitions/josh-kline#exhibition-feature 

Newspapers.com Trial through 4/1/24

The library has begun a trial of Newspapers.com World Collection.

With content dating from the early 1700s into the 2000s, Newspapers.com contains full runs and portions of runs of well-known regional and state titles as well as small local newspapers. The emphasis is on historical content, not current news and events.

(Note that this library edition of Newspapers.com has some differences from the consumer version, which you may be familiar with if you have a personal Ancestry.com account.)

To access this trial you must use a dedicated link and click through the ProQuest trials portal. If you try to use the general URL, you will not be recognized as an authorized user.

If you have questions about this trial, please email library-er@reed.edu.

Whether you’re a student, faculty member, or staff member, we welcome your evaluation of this resource! To share your thoughts, please complete our trial feedback form.