Meet Hannah and our (final) language tutor interview!

Hannah tutors every Monday from 6-8pm!

When did your interest in your language start? 

– I never had any chances to learn Arabic when I was younger, so I didn’t really ever think much about it before I came to Reed. Then I got here, I saw they offered Arabic, and I remembered how my dad used to say that it was the hardest language that he had ever learned (he knew English, Spanish, and Russian), so I thought I might see what it was like. 

How did you decide to become a tutor?

– I was recommended by professors for three different subjects. I had wanted to tutor something ever since I saw the position, and I thought that I would probably tutor French at some point, given that it’s my major. But then I realized that there were other French speakers, and even more writing tutors, while half of my second semester Arabic class had graduated, so Arabic tutoring was the place where I was truly needed. 

What’s your favorite/heart-warming memory about either being a tutor or learning your language of interest? 

– I have two that really made my freshman year. The first was shortly after I chose to tutor Arabic, and I went and told the language scholar at the time, Asma. She agreed with my reasoning, and, on one of the last days of school, we went to the Spanish House (the headquarters for Arabic events as well as Spanish). She gave me some storybooks for children as well as a book for practicing the alphabet made to be used and reused with dry-erase markers, saying that she thought it might be useful for tutoring. My other precious memory is of the Arabic music night; it was one of the extracurricular language-learning events intended to supplement the constructed space of the classroom with some living, breathing culture. Because one of my classmates was interested in learning Egyptian – as opposed to the Modern Standard Arabic that makes up most of the course – they introduced us to the oldie but goodie Egyptian singer Abdel Halim Hafez. We watched a very famous video of him singing “Ahwak”, a sweet and sentimental song. It was one of those moments that you don’t cherish until it’s gone, and I almost cried when I rediscovered the “Ahwak” because it reminded (and continues to remind) me of all the people who I’ll probably never see again, but were an unforgettable part of learning Arabic. I have so many wonderful stories that I would love to share, but there’s two of the ones that I think about often. 

What advice would you give to folks who are just starting to learn the language you’re tutoring?

– My advice to all learners and prospective learners: use the in-person resources. Former langlabbie and Arabic tutor Daphné posted some wonderful digital resources already on the language blog, and there’s a good reason one of them is using the language scholar’s office hours. It’s difficult to speak MSA, more so than most languages taught at Reed, simply because it isn’t often the spoken language in Arabic-speaking countries, let alone in the US, but that’s exactly why you need to persevere and take advantage of what is offered on campus, like the movie nights, cultural events, and (HINT HINT) the tutoring. I’m both a drop-in tutor and an individual tutor for Arabic, and I consider myself a very low-stakes conversationalist. If you’re feeling confident with speaking, heck, even if you feel like you have everything in the bag, I strongly encourage you to see me just to chat with a peer. I have lots of fun stories, physical textbooks for reference, and a great taste in music if I do say so myself. 

Favorite/fun fact about the language you’re tutoring?

– It’s a decently well-known fact that in addition to verb conjugations for you, I, we, she, he, etc., Standard Arabic has a way to show that exactly two people are doing something – the “dual conjugation”. 

The art of translating a movie TITLE

To no one’s surprise, the vast majority of highly acclaimed movies are produced in Hollywood. Roughly 87% of movies released by major U.S. studios are produced through American Hollywood systems (Follows, 2025). And because of that we, viewers, are used to the original English titles of movies without thinking how dubbing studios deal with translation of said titles. The art of translating movie titles can sometimes be more challenging and elaborate than dubbing the entire 2-hour long film. Translators and voice actors have to preserve a delicate balance of translating precisely while preserving the meaning, puns and word plays hidden in movie titles. 

Russian-speaking audiences all around the post-Soviet world, for instance, are quite passionate about dissecting the difference between original-English movie titles and their Russian adaptations. While some examples are criticized for complete disregard of the movie plot, others are highly praised for their wittiness. 

One of the movie title adaptations that I find particularly accurate is the “Hungover”. In Russian translation, dubbing studio that was working on translating the movie decided to name it “Мальчишник в Вегасе” or “Boys trip in Vegas”. Despite a total 180 from its original title, “Boys trip in Vegas” sounds ultimately more appealing and comedy-esque than a “hungover” and works better at representing the main event of the film as a whole. 

In many non-English-speaking countries, English words or phrases are used in marketing simply because they sound modern or stylish to local audiences – even if the original English movie gets renamed to a different English title that was never used in the U.S. or UK (such as The Hangover becoming Very Bad Trip in France). (Bayles, 2016)

A similar adaptation choice was made for the movie “Untouchables” – the dubbing studio in charge of translating the iconic film decided to move away from the use of language entirely and titled it “1+1”.  

Albeit, some movie adaptations go down the questionable path of changing up the title without necessarily conveying the plot or adding a pun. When “Avengers: Winter Soldier” was released in the Russian-speaking market its title was changed to “Avengers: the other war”. Weird choice? Perhaps. But that’s the art of translating movie titles.

Meet Reed!

We asked Reed, our beloved Spanish tutor, a couple of questions about language acquisition, how he came to become a tutor and what kind of advice he would give for beginner students.

  1. When did your interest in your language start? 

My first language is Spanish! Both of my parents are from Argentina, and my mom is a Spanish teacher, so there was no way for me to get out of learning Spanish.

2. How did you decide to become a tutor?

I was a tutor in high school, and I really enjoyed getting to help other students. Additionally, I really enjoy a lot of the readings and movies watched for Spanish classes here, and it’s fun to get to talk about with other students.

3. What’s your favorite/heart-warming memory about either being a tutor or learning your language of interest? 

It’s always fun when you get to see a student have that ‘aha!’ moment, where everything suddenly clicks. Also to hear other people like your favorite authors or movies!

4. What advice would you give to folks who are just starting to learn the language you’re tutoring?

Spanish is a language made up of a lot of rules and grammar that we don’t have in English! That’s part of the fun. Focusing on grammar can be a bit taxing sometimes, but it’s such a representative way of how the language works and how people express themselves, it’s worth it in the end.

5. Favorite/fun fact about the language you’re tutoring?

Spanish has over 15 past tenses, future tenses that don’t exist in English, and a bunch of other ‘modes’ that make the language a lot more expressive than English. Also, it’s more compact. Verb can carry a lot of meaning beyond just the action that is being done. It can carry the tense, who is doing the action, and who is receiving the action

Reed tutors Spanish every Wednesday from 6-8pm! Come by to learn, do homework or simply chat 🙂

Fall music must-listens!

Despite rising temperatures and rather sunny days, LangLabbies are still feeling the fall spirit approaching! In honor of our upcoming event we decided to share some of music recommendations that we believe would amplify your fall and help unwind from these academic routines

  1. Send the pain below (Chevelle)

A traditional post-grunge and alternative metal, anything rock has become the fall anthem with its gloomy undertones yet loud lyrics. “Send the pain below” is undoubtedly Chevelle’s most beloved song, so it’s a must to give it a try!

2. Ozin Gana (Moldanazar)

A soft, lyrical and bone-crushing melody that’s is the total opposite of most songs in this list but perhaps it’s exactly what we all need in this cold weather full of dark days. A perfect song for slow mornings or cozy nights with barely noticeable notes of Turkic vocals.

3. Прочь из моей головы (Сплин)

The anthem of post-modern Russian rock that dominated the late 2000s and became a cult classic for all listeners of post-Soviet countries. The uncertainty of one’s future mixed in with a strong sense of hope and full acceptance and embracement of the state of the country is what made “Прочь из моей головы” such a popular hit for most teenagers and young adults of the former-USSR.

4. CORALINE (Måneskin)

Do we even need an explanation? It’s Måneskin! Just go ahead and play it.

5. La llorona (Chavela Vargas)

La llorona is the most famous Hispanic folklore character. If you want to learn more about it (in Spanish!) come to our event on October 8th from 6-8pm! More details in the next blog post!

The short and bright life of Shokan Valikhanov

Shokan was famously “besties” with Dostoevsky sparking rumors about their homoertoic relationships.

Shokan Valikhanov the father of modern Kazakh history and ethnography and simultaneously the most-known Kazakh scholar, ethnographer, historian. As a Russian Imperial officer, he explored Central Asia, mapping regions like Kashgar and recording significant cultural, geographic, and historical data while advocating for his people which didn’t save him from being a target of post-colonial criticism. Lang Labbies are starting our weekly rubric of “not-so-Russian-Russian literature” focusing on literature written in Russian by not necessarily Russian personas.

Shokan Valikhanov was born in Kostanay, Eastern Kazakhstan and spent his youth in his father’s traditional nomadic yurt. Shokan’s family was very respected by the government of the Russian Empire, and Walikhanov’s father was awarded, during his life, six appointments as senior Sultan of Kushmurun region. Born into privelege, Shokan raveled extensively in Central Asia in the late 1850s after having graduated from the military academy in Omsk.

Walikhanov collected materials on Kazakh judicial practices in 1863. This was part of a government-backed project given by Duhamel, and led to the 1864 Memorandum on Judicial Reform. In 1864, Shoqan was assigned to help with Colonel Cherniaev’s continued conquest of Central Asia. Cherniaev’s forces marched west from the fortress of Vernoe (modern-day Almaty). Chernaiev advanced towards the Khanate of Kokand, planning to attack the fort at Aulie-Ata (modern-day Taraz). Shoqan unsuccessfully pushed for a negotiated result without violence. 

Young Valikhanov was a big proponent of Westernization although was critiqued by his fellow ethnographers for “playing the double game” due to his primarily russian education and deep friendship with writers such as Fyedor Dostoevsky.

In spite of it, Shokan remained the face of Kazakh intelligentsia — his early death at just 29 years old left a large hole in the history of Kazakh ethnography written in Russian. One of Shokan works (in both Russian and English) I would recommend to our readers is “Chinese Turkestan and Dzungaria: Walikhanov and other Russian travellers”, The Russians in Central Asia, London, Edward Stanford, 1865.

✈️ These plane tickets are getting expensive…

Learn your geography!!

If you’re just like me and shocked by these prices but still want to travel Language Lab might have something that you were looking for!

Take a trip around the world at the Language Lab’s World Trivia Night! We’re learning about cultures and languages around the world to get everyone in the study abroad spirit! Come ready to answer some tricky questions and compete to win prizes! Win or lose, pizza will be provided!

Most importantly, we will be hanging out Study abroad informational materials provided exclusively for us by the Study Abroad workers!

⏰ When? Thursday, March 12th @ 6PM

📍 Where? Vollum Lounge (2nd floor, turn right once you enter the building)

Spilling Linguistic TEA

I can actually tell how your country accessed tea leaves just by the way you say it. It’s not a magic trick or an elaborate mental gymnastics. The history of tea is broad, deep and a topic of heated debates. Ranging in various flavors from white herbal to decaffeinated earl gray, tea became a stable aspect in cultures across the world. And for such a widespread word and cultural phenomena one would expect that each language would develop a unique term to describe this healing liquid, right?

Not quite. Etymology of tea extends to just 2 derivatives: “tea-derived” and “cha-derived”. This etymology doesn’t depend on what linguistically family you speak — both Russian and Kazakh use the “chai” variation despite belonging to a Slavic and Turkic groups respectively. Similarly, both Armenian and Sudanese share a common “tea-“ derivation even though Armenian belongs to a unique branch of Indo-European family while Sundanese is an Austronesian language — thousands of miles apart.

The secret lies in the means of transportation, and more specifically, the space by which tea has conquered the world.

The term cha (茶) is “Sinitic,” meaning it is common to many varieties of Chinese. But most importantly, its roots are in the non-coastal Eastern part of China and spread the world through the ocean: first reaching Central Asia until it reached Persia and Eastern Europe.

Meanwhile, the “te” form used in coastal-Chinese (still East!) languages spread to Europe via the Dutch, who became the primary traders of tea between Europe and Asia in the 17th century. The Dutch ports mainly resided in Fujian and Taiwan where the local population used the “te” variations allowing this specific form to be spread via ocean.

To put it simply, if you say “chai” then you got your drink through land trade, and if you say “chai” you can thank the ports and ocean.

Of course, there is always room for a few exceptions. For instance, Polish uses the word “herbata” whose phonetics closely resemble that of English “herbs”. Thai language also stands out — instead of the internationally acclaimed “tea” or “chai”, Thai speakers use the term “miang” translated as “fermented tea leaves”.

Makes you think twice about ordering “chai tea” next time!

Who said “Karaoke”?

The Language Lab invites you to our annual highly-anticipated KARAOKE NIGHT! We’ll be singing songs in all languages and dancing the night away! You bring your voice and we’ll bring the snacks, disco lights, and snazzy multilingual vibes. We hope to sing with you there!

Bring your friends and let them sing their frustrations out!