The great griffin float emerges!

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Dearest Comrades:

I have always wanted to write one of these letters, and they're finally letting me! And yes, it has been censored so you will have to use your decoders to get the real message. Reedfayre '12 (the event formally known as Reunions) is upon us, and there is a special treat for all: the griffin float! If you haven't heard already, Reed is entering a float in the Portland Rose Festival's Grand Floral Parade. All of the floats have traditionally been built by one company, but of course as Reedies we wanted to build our own.

I have been privileged to work with the group of "local" Reedies (for whom the apple didn't land far from the tree), and we have been working on it for a while now. It is pretty awesome. The fun never stops! I promise anyone who shows up to lend a hand a ride around campus. There will be fun and games, food and drink, and a late night viewing of Animal House while sitting on the float. The Rose Festival parade is the weekend after Reedfayre, and I would like to encourage everyone to stay the week, help decorate the float with flowers and come cheer or participate in the parade on Saturday, June 9. 

It has been a fabulous time building this amazing vehicle, please come back for a ride down memory lane!* I know it is getting close, but if you are at all able to return for Reedfayre, this will be a most memorable experience, I assure you.

Sincerely looking forwards to a fabulous weekend,

–Rob Mack '93

*See one of Rob's earliest conveyances, the MOSPUD, as well as other creations from Renn Fayres past. 

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Reed’s Rose Festival Float

Thumbnail image for Thumbnail image for ReedRoseFestFloat_1936.jpgWith Reed students’ propensity for recombinant construction and conveyance, it is no surprise that the college entered a float in Portland’s Rose Festival Parade as early as 1936.  While the details are murky, we have this one photo, as well as this plaque commemorating Reed’s third-place “prize” position.

 

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Fast forward to 2012, the close of our centennial year, and a merry band of intrepid engineers is hard at work on an automated griffin for the new century!  Rob Mack ’93 and Mike Teskey, director of alumni relations, have led the effort to craft a unique float to roll in Portland’s 100th Grand Floral Parade on Saturday, June 9.

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Assisted by Zac Perry, canyon restoration specialist, Ben Lund ’93 from mail services, Dan Schafer ’92, Martha Richards ’92, Lars Fjelstad ’92, and other alumni, this group of volunteers has been hammering out the creation over the past several weeks.  See Dan’s photos, as well as this artist’s rendering that serves as inspiration and imagine a griffin that can flap its wings (and possibly more!).

An early model got a test run at Renn Fayre, delivering the Reed Meat Smoke victuals to the feast!  There is yet more work to be done, and we welcome help from all members of the Reed community.  Stay tuned for a decorating sign-up sheet to be available soon; we’ll begin the beautification process at Reunions ’12: Reedfayre, so sign up today!

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Dr. Demento deconstructs Zappa

By Travis Greenwood ’01

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Sated by the luxe, campuswide feast on the Friday night of Centennial Reunions, an overflow audience settled into Vollum Lounge at 9 p.m. to hear Barry Hansen ’63, aka Dr. Demento, speak about the musical and cultural legacy of the late Frank Zappa and his prolific troupe of art-rock jesters, The Mothers of Invention. The Doctor opened his remarks with high praise for his subject, explaining that Zappa was one of the “half dozen most important artists” of his lifetime, a suggestion that visibly resonated with many in the audience, including the other elder statesmen in the room. In particular, Hansen cited Zappa’s adventurous blend of superb musicianship and subversive style, suggesting that both were original and enduring influences on the radio program he has hosted for more than 30 years now. 

Alternating between archival video, excerpted recordings and most interestingly, snippets of interviews he had conducted with Zappa himself over a three-decade period, Hansen traced a biographical sketch that was informed by the deeper minutia that only a true musicologist would seek out. That said, Demento’s lecture was also richly personal: listening to his exchange with Zappa about the importance of music as an agent of change in society (and its apparent exclusion from political discourse!), one gets the feeling that the duo shared a genuine and conspiratorial connection. Ever the entertainer (and DJ knob twiddler), Hansen closed with one last Zappa track, “Stevie’s Spanking,” a rich mess of psychedelic guitar and (highly) satirical asides.

Mary Barnard ’32: found in translation

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Sweep the mind

clean

like a field of dry stubble

when the constellations

of daisies have been mown


–Mary Barnard

Mary Barnard ’32 is arguably Reed’s most prominent creative artist. Her original poetry and translations of classic poetry influenced generations, including the Beat poets who followed her by one generation. Her 100th birthday was celebrated in 2009, so it is appropriate that the Reed Centennial honor her with a full day of lectures about her life, her work, and her influence (see “Alumni College: Letters 100: Experiencing Mary Barnard ’32” on Thursday, June 9).

It is also fitting that pre-eminent Barnard scholar, our own Sarah Barnsley ’95, should return to lead this seminar. Sarah was an exchange student from University of East Anglia for one year, and she now teaches at Goldsmiths, University of London. Her other research interests include American literature, poetry and poetics, modernism, gender and queer theory. Following her tenure as H.D. Fellow in American Literature at the Beinecke Library, Yale University, Sarah has completed a book manuscript, “‘A bright, particular excellence’: Mary Barnard, American Imagist.” She is also a poet in her own right.

Mary Barnard ’32 was born in Vancouver, Washington, and attended Reed College, where she discovered modernist poetry and Ezra Pound; she later initiated a long-distance correspondence with Pound that was to last nearly 40 years.

As noted by the Beinecke Library, “With Pound’s encouragement, Barnard began translating Sappho’s poetry from the Greek. Her translation, published in 1958, has never been out of print. Barnard’s own poems won her Poetry magazine’s Levinson Award when she was only 26 years old. Her shorter fiction was published in Harper’s Bazaar, The Yale Review, and The Kenyon Review. She later composed a book-length essay in verse entitled Time and the White Tigress and researched and published her own genealogy and various essays on mythology.”

The delightful and spirited memoir of her school days, Erato agonistes: Writing a creative thesis at Reed College in “The Golden Age”, is available in the bookstore.

Other speakers in the seminar will include Professor Anita Helle, Oregon State University, on Mary Barnard’s original poetry, and Professor Ellen K. Stauder, dean of the faculty and David Eddings Professor of English & Humanities, on Mary Barnard’s Sappho, in the morning sessions.  Afternoon conference leaders will include, in addition, Elizabeth J. Bell ’87 MALS, Mary Barnard’s literary executor; and Anita Bigelow ’67, illustrator of Mary Barnard’s work.

Ladd and Reed legacy tour

THE LADD AND REED LEGACY: Building Portland 1851-2011

Tuesday, June 7, from 8 a.m. through 12:45 p.m.

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The Ladd and Reed Legacy talk and tour during Centennial Reunions, organized by Richard Ross ’69 MAT, explores and celebrates the lasting impacts of two remarkable Oregon pioneer families on Portland’s development over a century and a half. William S. Ladd was Portland’s most prominent 19th-century business and civic leader, and Simeon Reed was Ladd’s foremost business partner and friend. Ladd and Reed shaped Portland and the Northwest by joint ventures over four decades, in public service, steamboats, telegraphs, macadam roads, model farms, railroads, and iron. Ladd and Reed both arrived in Portland in the 1850s, starting as pioneer liquor dealers, and served on the city council  in the crude frontier village known as “Stumptown.” Their sturdy spouses, Amanda Wood Reed and Carolyn Elliott Ladd emigrated together by sea from Boston in 1854 and  became lifelong friends. 

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As they prospered together, the Ladds and Reeds pursued a common vision of building a thriving Renaissance city out of soggy Stumptown. In turn, they were driving forces in the formation of Oregon’s educational, cultural, economic infrastructure, and model communities. Amanda Reed’s 1904 will set in motion the final Ladd and Reed partnership, the creation of Reed College (1911), with help from Ladd son and college trustee William M. Ladd.  This program shows how the Ladd and Reed family vision built Portland’s strong neighborhoods, its civic, educational, and economic institutions, and the vibrant downtown of today. 

Tour visits five Ladd and Reed living legacies:

1. Oregon Iron Company, Oregon Iron and Steel (1865-1894) Lake Oswego  

Guides: Marylou Colver, Susanna Kuo, Lake Oswego historians

Dominant Northwest iron producer for the “Pittsburgh of the West.” Company town supplied construction of Northwest railroads, pipelines, bridges, and Portland’s ironfront buildings. Iron lands around Lake Oswego (Sucker Lake) became the basis of the 20th-century suburb.

2. The Ladd Carriage House (1883) SW Broadway

Guide: Jim Heuer, Friends of the Ladd Carriage House 

Last remnant of the Ladd family’s former downtown estate and an elegant, rare survivor of prestigious 19th-century South Portland, where the Ladds and Reeds both lived. 

3. The Reed Building (1890) SW 1st and Ankeny

Guide: Amy Kohnstamm, Mercy Corps

Simeon Reed’s solid four-story brick and stone warehouse, once in Portland’s business core at Skidmore Fountain, houses Mercy Corps world headquarters today.  

4. Ladd’s Addition (1891) 

Designed by William S. Ladd himself, thrives today as a national and regional icon for green and walkable neighborhoods and “New Urbanism.” First of many notable Portland neighborhoods created by the Ladd Estate Company under William M. Ladd out of Ladd farms and holdings: Laurelhurst (1909), Eastmoreland (1910), Dunthorpe, and Lake Oswego, all landmark communities of the 20th century.  

5. Reed College (1911) 

Celebrates its centennial in 2011-12, was endowed by Amanda Reed, on part of William S. Ladd’s Crystal Springs Farm donated by trustee William M. Ladd. 

Schedule: 

8 a.m.  PowerPoint Talk at Vollum Lounge, Reed campus 

8:30 a.m.  Board a Raz bus at Eliot Circle for Lake Oswego

11:15 a.m. Ladd’s Addition, coffee break and restrooms at Palio (the Elm Room), Ladd Circle 

12:45 p.m. Tour concludes with wrap-up comments on the founding of Reed College 

The cost for this half-day tour is $20.  Sign up by sending email to alumni@reed.edu.


Presenter and guide (except where noted):

Richard N Ross ’69, American Institute of Certified Planners         

H: 503/235-8194  C: 503/807-0612   richardnross@earthlink.net

Urban and regional planner in Oregon 1977-2011, teacher of Oregon and US history 1970-79

BA in History Middlebury College, MAT Reed College, MUP Portland State University

Led regional coalition to restore the Historic Columbia River Hwy (1986-92)

Ladd’s Addition community leader and resident 1976-2011 

Making Waves 100 (by Brad Wright ’61)

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Most people, when they go swimming, think it’s all about
them.  But it’s actually all about
the water.  Take the Reed pool for
example.  What’s going on with the
water there?  Nothing much. It just
lies there.  There’s a good physics
reason for that.  And when you go
swimming, the water still doesn’t do anything exciting.  It keeps you afloat, and you kind of
stir it around and scatter waves about in all directions.  But those waves are just small
fry.  They’re just minnows.  In June, at Centennial Reunions, we’re going to rouse a
leviathan.

The “Mother of All Waves” has lain dormant in the Reed pool
for all these years.  We’re going
to enter her lair and wake her up. 
To see her in action, that is our quest.  Guided by Rubber Duckie and armed with the Pendulum of
Destiny, we will go in … and out … and in … and out … and in …  and the wave will grow until the
spectators are shouting “Hey wait a minute!  It’s getting too big! 
It’s beginning to slosh onto the floor!  Make them stop!  Make them stop!” 

And we will stop. 
We will stop to paddle to the middle of the pool, there to be carried
back … and forth … and back … and forth … propelled and exhilarated by the
power of a wave of our own making. 
But as we bask there, going back … and forth … and back … and forth … we
are left pondering that age-old question: 
Between the human race on the one hand, and the laws of physics on the
other, who is the master?  Who is
the master?

Here’s a chance for alumni to consider this question and get
a different kind of workout, either Thursday at 10:30 a.m. or Friday at 10:30 a.m.

So be sure to remember your swimsuit when you pack.  And if you plan to join us, please send
a note to the course instructor, Brad Wright ’61, at bandrwright@yahoo.com so he’ll know
whom to expect.

Atheism, Communism & Tee Love: Reed T-Shirts Unite!

I recently caught up with Travis Greenwood ’01, kitschy shirt connoisseur, to get the scoop on his efforts to collect and document Olde Reed t-shirts.

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Please give us your vision for this project? 

This project mixes personal and professional interests. I’ve always had collector tendencies, progressing from comic books to records and then, later, bicycles. These days, it’s all of the above, plus t-shirts, which is convenient because I write and edit a blog, “It Goes to 11,” for my employer. It’s focused (somewhat loosely) on t-shirts, t-shirts from the reel world, t-shirt trends, movie memes, the overlap there between and whatever else I stumble across on the web. Combine all of that with extremely fond memories of my Reed experience (I majored in history and managed KRRC) and here you have it, my contribution to the college’s collective history. Don’t say I never gave anything back to the community!

Seriously though, it dawned on me that the typical Reed experience was accompanied by several t-shirt traditions (experiential mile markers if you will), namely O-Week, Renn Fayre, and Beer Nation, but also encompassing several smaller events and tropes. Following from that, it seemed that someone–namely, me–should consolidate and archive material of this type online. If the Internet has room for LOL Cats, defamatory weekly newspapers (zinger!), and second-tier social networking sites, then certainly we can carve out a niche for our humble t-shirts, which when taken collectively, constitute an enormous and revealing trove of Reed minutia.

Does it have a catchy name?

I haven’t given much thought to the moniker, but a simple bit of brainstorming yields this bastardized gem:

“Atheism, Communism & Tee Love: A Pictorial History of Reed T-Shirts”

(groan…)

Continue reading Atheism, Communism & Tee Love: Reed T-Shirts Unite!

A little Reunions ’11 levity

You’ve likely noticed by now that Centennial Reunions is going to be a very big deal. More than 1,500 Reedies are expected to converge back on campus to help celebrate Reed’s 100th birthday at Centennial Reunions, June 6-12, 2011. Though the lure of Reed is undeniable (Dr. Demento has said, “After 48 years Reed still pulls me like a magnet. I can already feel the field getting stronger!”), we know that returning to the mothership can be fraught with conflicting feelings… thus, we embark on a course of humor, of which I’m sure the good doctor would approve (warning, Mateo-brand levity ahead!). 

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Gary Snyder ’51 in film and print

gary_snyder.jpgGary Snyder ’51, Pulitzer-Prize winning poet (and keynote speaker for Centennial Reunions ’11!), is profiled in a new film, “The Practice of the Wild.” The documentary, which premiered at the San Francisco International Film Festival, “revolves around a life-long conversation between Snyder and his fellow poet and novelist Jim Harrison.” (San Simeon Films) Continue reading Gary Snyder ’51 in film and print